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"Raised between New York, USA and Oxford, UK , within a chaotic family of academics, I am a Sculptor by both nature and nurture, a muddy day-dreamer  taught to question everything.

I chose a nomadic existence, collecting  views and making sculpture and parting with it on the back-roads and by-ways until 1992 when the arrival of my eldest son anchored me to the UK.

Osprey Studios was a fluid mix of Studio and Community practice until 1994 when it coalesced with the acquisition  of a terrifying dragon of a kiln.

The move to the stunning and inspirational landscape of Wales in 1998, with it’s rich, ancient culture, vibrant humour and brick-making tradition has allowed Osprey Studios to establish and the work to mature.

My Sculptures are in private collections all over the world and also with the National Trust and the National Parks here in the UK. My Public work is intensely collaborative. I have developed a range of accessible techniques that I am happy to share here online or in Workshops – one of life’s great joys is connecting others with their creativity through hands-on work or by helping them find the form that speaks for them."  Rebecca Buck

Rebecca Buck

Sculptor / Ceramacist

Artist Statement

"We look at the world through eyes of ancient mud." Straw Dogs, John Gray

Whatever else weighs upon us, the pull of the Natural World is the strongest force that shapes our lives.

Working within the traditions of the early 20th Century Modernist sculpture greats like Barbara Hepworth and Henry Moore, it is important to balance inspiration with strict craftsmanship, technique and in-depth understanding of the medium. Faith and verity towards the material being central to the process. With this in mind, all of the artwork is focused on emotional description and unbroken connection with the natural world, the aspirational and the compassionate. Sculpture is a means of narrative melding context with form. Distinctly figurative works contain both endogenous and exterior depictions, while those that lean towards pure abstraction are more philosophical. Music, dance and intangible expression through tangible form make up the core of the work. Construction is a hands-on, visceral process. The clay and the techniques are chosen to generate active, expressive intensity that can be reflected through the permanent, finished artwork, locking the moment-to-moment inspiration and emotional engagement into the clay itself.